The Magic of Moonlighting

Moonlighting is an amazing show. A fast talking, pre-Die Hard Bruce Willis, a gorgeous post-Last Picture Show Cybill Shepherd, both engaging in private eye hijinks backed by awesome 80's music and a fist full o' cheese.

I loved the show as a kid, but I haven't really been able to watch reruns since then as pretty much no one seems interested in syndicating it (surprising since Bruce Willis was the male lead and the show was a hit at the time).

Anyway, I recently managed to pick up all five seasons on Amazon for under $50, and am quickly making my way through seasons 1 and 2, loving every minute of it.

What I hadn't realised back then was just how tight the writing on the show was, sure the cases don't really matter, but they're always interesting, and are almost always great ways to put Maddie and David in unexpected situations.

Willis' comic timing in particular is excellent, and I truly wish more directors would cast him in comedic roles, the Fifth Element was a great showcase, but see the criminally forgotten and underrated Hudson Hawk if you don't believe the man has an eye for comedy.

Now, on to dinner.

Visions of the Gods.

I'm not entirely sure when this became an "art only" blog, it was never intended as such, it's always been my intention to write about the things that interest me day in and day out, so I'm going back to that.

That said, this new post is in fact, art related.

A little while back I decided that if I wanted to finish a project I've been thinking about for the past 12 years, then I'd have to actually start working on it (shock, awe). As such I've recently started work again on a project that I've called, for a long time now, Visions of the Gods, a name which barely seems appropriate these days as the story and tone have changed quite a bit, but a name which I'll probably end up keeping just because I'm too lazy to think of anything else.

Visions of the Gods or "Visions" for short, started out as something of an African take on Lord of the Rings, of course, this was before I decided I wasn't smart enough to attempt that. Over the years Visions has changed multiple times as I tried to figure out what sort of representation African comics and Nigerian comics needed.

There was a lot of stopping and starting along the way, and I've finally come to the decision that instead of working on what I thought was needed, I should just work the way I wanted (what a novel idea!). The result is hopefully something that mixes pulp and whimsy in equal measure, my two favorite things you see, I'm also hoping to make it an ongoing web series, posting pages sporadically as I finish them.

I've got an old script from about 2 or 3 years ago that I'm using as a spine, but I'm kind of winging it, and I'm trying to enjoy the process and learn from it.

From this point on, I'm going to be posting as much as I can about the process of writing and drawing Visions, in an attempt to chronicle the difficulty of creating a comic for any other artists struggling with similar endeavours. I'll also be talking about the decisions I make with my art and writing, why I make them, and it'll hopefully also be a cool little visual log of how my art changes over the course of the project.

Here's a panel from the page I'm currently working on.